​If you’re interested in writing/illustrating for children (or anyone, really) then I highly recommend joining a critique group. I’ve already written about the WHY, but today I’d like to share the HOW 

!How to Find a Critique Group
 
1. Writing Associations: SCBWI (Society of Children’s Book Writers & Illustrators) and other writing associations have all sorts of resources, including how to find critique groups. In a matter of a few simple clicks you can be directed to a list of critique groups near you. I could write a whole post about the benefits of joining SCBWI, but for now, trust me when I say it’s a good idea. Once you join, you can find a your local chapter’s page. Most chapters have a link for critique groups where they list current groups and contact information, or at least the contact information for the chapter’s Critique Group Coordinator (that’s me for Eastern PA!).

2. On-Line Groups, Blogs, Social Media Groups, etc. There are a whole host of on-line writing and illustrating groups (many free) that offer ways to connect with other writers and illustrators. Examples include Julie Hedlund’s 12x12 Picture Book Challenge (fee required to join the challenge); Facebook groups like Sub It Club Critique Partner Matchup, KidLit411 Manuscript Swap, KidLit411 Portfolio Critique Swap; The Writers Match (free – like matchmaker site for writers); and Inked Voices (fee required). The SCBWI Blue Boards have ways to connect with other writers/illustrators looking to swap critiques or form groups, and I’m sure there are other groups you can find through other social media sites that I’m not aware of. Feel free to post in the comments any other on-line places you know of that offer ways to join or form critique groups.

3. Attend Writing/Illustrating Conferences & Events. Attending conferences, workshops, meet & greets, classes, and speaking events means meeting other writers and illustrators. You’ll often find one or a few people who are looking to exchange feedback on manuscripts, dummies and portfolios. Mix & mingle and ask others if they have a group near you with an opening, or would like to form a new in-person or on-line critique group.

4. Word of Mouth. The more you become involved in the kid lit/writing/illustrating world, the more you will discover. I joined my first critique group by following tip #1. I joined my second group because I heard from a writer friend that two other writer-illustrator friends were looking to join/form a group. And I’ve done on-line manuscript critique swaps because I heard from a friend about someone who was interested in doing that on an occasional basis. Attend events, join on-line groups, follow/friend/connect with kidlit folks on Twitter, Facebook, Instagram, etc., listen to blogs, make new friends!
 
But what if you haven’t been able to find a group in your area (or online) that “fits” (meets in your location on days/times that work for you and in your genre)? One thing you can do is to keep checking back at your local chapter’s Critique Group Listing. Things change often, so you may find an opening later. Second, consider starting your own critique group! It may sound intimidating, but there’s really not much to it, and your local Critique Group Coordinator is there to help you get started.
 
If I still haven’t convinced you to join or start a critique group, stay tuned for my next post that will address the “who, where, and when” questions you might have. In the meantime, feel free to ask questions or submit comments below. For those seasoned critiquers, I’d love to hear your experiences in finding or forming your critique groups

Are you interested in writing or illustrating for children? Then this post is for you. I’ve already written here about one of the biggest tips that will help you become a better writer. But today I’m sharing another piece of advice: Join a critique group.

Maybe you’ve heard this advice before. Maybe you’re not sure why it’s a good idea to join a critique group. Maybe you even took the advice, but you’re still not quite sure what this whole critique group thing is all about. So, I present to you: 
 
10 Reasons Why Joining a Critique Group is a Good Idea

1. Your very own posse: Writing (and illustrating) is often a solitary activity. Navigating the publishing world by yourself can get lonely and downright depressing at times. Belonging to a group of like-minded people means you have shoulders to cry on, cheerleaders to encourage you, and friends who understand what you’re going through along your kid lit journey. And, having a strong support system will help you become a better writer/illustrator.
2. Receive feedback on your manuscripts/art. Your critique partners will be able to look at your work with a fresh set of (relatively objective) eyes and point out the strengths and weaknesses of your stories/art in a supportive way. Yes, critiques have a subjective quality to them, but critique partners aren’t as “close” to your stories as you are and will be able to give you a little more feedback than, “This is great, honey!” (from your significant other) or “Boring!” (from your disgruntled tween). You’ll be able to use the feedback you receive to revise your manuscripts, which will help you become a better writer/illustrator.
3. Learn how to receive critiques. You’ll learn from your mistakes and then learn to avoid repeating them; you’ll gain self-confidence and develop a thicker skin; and you’ll even learn how to discern what advice to take and what to decline. This will help you become a better writer/illustrator.
4. Learn how to give critiques. The more critiques you give, the better you will become at seeing the weaknesses in your own work and how to fix them. Learning how to be a better editor of others’ and your own work will help you become a better writer/illustrator.
5. Information. Besides critiquing each other’s work, you can share books you’ve read (instructional, mentor texts, comp titles) and resources you’ve discovered (conferences, publishing/editor/agent news, on-line challenges, blogs, podcasts). Being better-informed will help you become a better writer/illustrator.
6. Guidance/Inspiration. You can brainstorm new ideas to get opinions on what to work on next or how to strengthen an idea you have for a story. You can discuss ideas about how to approach an agent/editor/art director or how to develop a submission plan or write a query letter. Knowing the market and strategizing your kid lit career will help you become a better writer/illustrator.
7. Sounding board. Having critique partners means you have a built-in audience when you are preparing for a pitch session, school visit, workshop presentation, book launch or reading. If you write picture books (since these are meant to be read out loud), you have access to someone who can read your manuscripts out loud so you can listen for any baubles in rhythm or rhyme. Rehearsing and listening will help you become a better writer/illustrator.
8. Accountability Partners. Having others who are along the same journey can help you to set and achieve goals by motivating you and helping keep you accountable. Setting and striving for goals (you know what’s coming …) will help you become a better writer/illustrator.
9. Promotion. When you have good news to share (You got a book deal! You having a book launch! You’re presenting at a conference! You won an award!), you have a group of people who will be more than happy to share your happy news. Promoting you and your work will lead to books sales and more opportunities, which will lead to more writing/art. And the more you write/create art, the better writer/illustrator you’ll become.
10. If nothing else, just believe me when I say: You’ll become a better writer/illustrator.

 
If you’re still feeling tentative about joining or starting a critique group, stay tuned for my next few posts to address the “how, who, where, when & what” questions you might have. In the meantime, feel free to ask questions or submit comments below.

​Yes, indeed, there is an official day to celebrate underwear. Do you know why we call it a “pair” of underwear? Because way back in the 1500s when people wore “pantaloons” (pants), they came in two separate pieces. You put one on one leg and tied it around your waist, and then put the other on the other leg and tied it around your waist. So, if you had two legs, you needed a “pair” of pantaloons. I guess the saying just stuck. Anyway… I thought to help celebrate this wonderful occasion, I would bring you a review of: 

Read this review on Goodreads or Amazon.